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The Spirit Wrestlers
View The Spirit Wrestlers here
“The satisfaction of Hamm’s documentary is that
it is subtle, balanced and seeks insights into the conflicted
values and thinking of both sides…Hamm has done us all a
great service. He reminds us just what can happen when the forces
of righteous thinking are unleashed in the service of governments
whose arrogance leads them to believe that talking with citizens
who disagree with their policies is an intolerable waste of time.”
Stephen Hume, features writer, The Vancouver Sun
The Spirit Wrestlers is a vivid 94-minute look at a
troubled episode in Canadian history. Examining a century of Doukhobor
experience in this country, it focuses on the harrowing events
in the 1950s and 60s.
It was then that the British Columbia provincial government,
in an attempt to bring to heel a small group of pacifist and communalist
Russian immigrants, seized 170 children of the Sons of Freedom
sect, a small and radical offshoot of the Doukhobors. The children
were held for six years behind wire fences at a residential school.
Today, 125 of those former students have taken their case to court,
demanding compensation.
The Spirit Wrestlers explores this thorny issue through
the eyes of children ensnared in a net fashioned by others. A
POV documentary, the film shows that seizing these children was
just one of many heavy-handed methods taken by federal and provincial
authorities in their attempt to assimilate generation after generation
of Doukhobor children.
Doukhobors have at times been treated heartlessly. To call attention
to their plight, many Sons of Freedom, or “Freedomites”
as they were often called, used nudity as a form of political
protest. But as protest escalated some of these Freedomites, began
committing violent terrorist acts. From the 1920s to the 1980s,
waves of bombings and arsons destroyed schools, railway tracks,
bridges, power poles, public buildings and homes. In the early
1960s, jail sentences for Doukhobors totaling more than 2000 years
were imposed by courts in British Columbia. Their acts constituted
Canada's most protracted terrorist threat.
The Spirit Wrestlers is the story of this tempestuous
relationship. It asks the questions: When a nation prides itself
on being a multicultural society, what happens when one group
demands special treatment? Does support for diversity extend to
allowing people to live in ways that defy our accepted social,
religious and economic norms? In a democracy, is the majority
prepared to allow a difficult minority to flourish?
Director Jim Hamm uncovers previously untapped archival records,
film and photographic evidence. In interviews with Orthodox Doukhobors,
former Freedomites, retired RCMP officers and historians, Hamm
has created a remarkable film, which makes an important contribution
to Canada’s social history.
The Spirit Wrestlers was selected to screen at Toronto’s
Hot Docs 2002 Canadian International Documentary Festival (May
2002) and received a Leo Award nomination (celebrating excellence
in B.C. film & television) for Best Sound Editing in a Documentary
Program.
Produced by Jim Hamm Productions Ltd., in association with History
Television, Vision TV, Knowledge Network and Saskatchewan Communications
Network. Produced with the participation of the CTF: Licence Fee
Program, BC: Film Television and Film Financing Program, Canadian
Heritage: Canadian Studies Program, Rogers Documentary Fund, CAVCO
and Film Incentive BC. © 2002 Closed Captioned
Key Credits:
Producer & Director - Jim Hamm
Writers - Larry Hannant and PJ Reece
Editor - Deane Bennett
Cinematographers - Mark Edwards and Mike Kirby
Narrator - Tom Butler
Music Composer - Bruce Ruddell
Home Video Sales Contact: Jim Hamm Productions Ltd.
P.O. Box 211, Bowser, B.C. V0R 1G0, Canada
(778) 424-1110
jim.hamm@shaw.ca
http://www.jimhammproductions.com
Libraries and Educational Institutions Contact:
Moving Images Distribution
606-402 West Pender St, Vancouver BC V6B 1T6
(604) 684-3014
mailbox@movingimages.ca
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“It's a riveting film that opens up an aspect of our
common pasts as British Columbian that we have largely chosen
to ignore. It's extraordinarily powerful, and belongs in every
school, public, college, and university library across British
Columbia and, I would add, across Canada. The film very effectively
depicts the Doubkhobor experience in British Columbia and, in
doing so, sensitively explores the boundaries between religious
belief, commitment to family, and state power. As a teaching medium,
the film raises a wide range of issues for discussion at the secondary
and post-secondary levels to do with law and justice, the role
of the school, the nature of religious authority, the obligations
of citizenship, and so on. We are each forced merely by watching
to reconsider our own assumptions about the nature of belonging
and to realize that determination of right and wrong action is
not always possible.”
Jean Barman, Dept of Educational Studies, University of British
Columbia
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